Adobatech brand guidelines

The wordmark sets adoba in a heavy weight and tech in a light one. Heavy stands for built right and light for built fast.

Wordmark

Use the wordmark in one color: ink on light backgrounds, white on dark ones. The weight contrast is the identity, so it needs no second color.

Adobatech wordmark in ink on a light background
Adobatech wordmark in white on a dark background

Arabic and bilingual

In أدوباتك the weight changes after the alef, which never joins the next letter, so the change sits where the letters already separate.

Arabic wordmark, أدوباتك, in ink
Arabic wordmark, أدوباتك, in white
Bilingual lockup: Adobatech and أدوباتك side by side, in ink
Bilingual lockup: Adobatech and أدوباتك side by side, in white

Use the bilingual lockup where both audiences see the same surface, such as signage, event badges and documents in two languages.

Icon

Two square marks in white on the accent color. The heavy "a" is the favicon. The "at" pairing, heavy "a" and light "t", is for app icons and social profile pictures.

Favicon: a heavy white a on green
32px 16px
Favicon
App icon: a heavy a and a light t in white on green
32px 16px
App icon and social avatar

Social media

Banners for LinkedIn and X at each platform's size. The content sits on the right, because both platforms place the profile picture over the bottom left. Use the app icon as the profile picture.

Clear space and minimum size

Keep other text, images and edges at least the height of the letter "a" away from the wordmark on every side.

Adobatech wordmark inside a dashed box that marks its clear space
The dashed line marks the minimum clear space. The shaded square in the corner is one "a" high.

Minimum size

16px tall on screen and 6mm tall in print. Below that, use the icon instead.

Adobatech wordmark at 16 pixels tall
Wordmark at 16px
Favicon at 16 pixels
Icon at 16px

What to avoid

The wordmark only works when the weights and shapes stay exactly as drawn. Always start from the files on this page.

  • Don't color adoba and tech differently. The whole wordmark is one color.
  • Don't swap the weights. Adoba is always heavy and tech is always light.
  • Don't re-type the logo in a font, even in Alexandria. Use the SVG files.
  • Don't stretch, rotate, outline or add effects such as shadows and gradients.
  • Don't letter-space the Arabic wordmark. Arabic letters join, and spacing breaks them apart.
Wordmark stretched wide and squashed
Don't stretch
Don't recolor one part
Adobatech
Don't re-type it in a font

Color

The Nile palette: a soft neutral canvas, near-black ink and one green accent. The accent is used sparingly, for buttons and one highlight per view.

  • Canvas
    #F4F5F2
    Page background
  • Paper
    #E9ECE7
    Alternate sections
  • Ink
    #0D1714
    Text, logo and dark sections
  • Muted
    #4E5C57
    Secondary text
  • Accent
    #08745F
    Buttons, icon background, one highlight per view
  • Accent on dark
    #5FD3B4
    Accent on ink backgrounds

Every text pairing meets WCAG AA contrast: accent on canvas is 5.2:1 and muted on canvas is 6.4:1.

Typography

Alexandria, designed by the Egyptian type designer Mohamed Gaber, covers both Latin and Arabic. It is free under the SIL Open Font License and available from Google Fonts.

Light 250 Built fast and built right نبني بسرعة ونبني بإتقان
Base 520 Built fast and built right نبني بسرعة ونبني بإتقان
Heavy 900 Built fast and built right نبني بسرعة ونبني بإتقان

The weight rule

Heavy (900) stands for built right and light (250) for fast, with 520 as the base. The contrast appears only in the wordmark and the main headline, where "fast" is set light and "last" heavy. Everywhere else, headings are 600 and body text is 300. Latin headlines are tracked slightly tight; Arabic is never letter-spaced.

Press inquiries

For interviews, other file formats or questions about using the brand, email us. We reply within two working days.

[email protected]